“That Was Then. This is Now”

Alexandra Daisy Ginsberg
March 23rd 2012

The wunderkammer – the traditional repository of natural history curiosities and cultural relics  – has been updated by the Center for PostNatural History in Pittsburgh, which opened the doors of its new museum this month. A curated microcosm populated by plant and animal specimens modified by man, this is the first synthetic history museum dedicated to documenting our Age of Anthropocene.

The museum's curator, artist Richard Pell, has been painstakingly collecting examples of the 'PostNatural': "living organisms that have been altered through processes such as selective breeding or  genetic engineering". These organisms are not archived (unless accidentally, as Rich discovered) in natural history collections. Are genetically engineered Glo-Fish, Roundup-Ready maize and 'biosteel' goats post-natural organisms from the branches of the Synthetic Kingdom, or does their 'true' nature remain preserved?

Pell's research has taken him on quite a journey through the living (and taxidermied) kingdoms, from the archives of the Smithsonian National Museum of Natural History to dealings with Monsanto. Through the PostNatural taxonomy, the collection raises vital questions of intellectual property, genetic modification, scientific objectivity and as Pell describes in this interview, how we cannot forget that "the project of science is never divorced from the cultural context".

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Should men be able to give birth to children?


Koert van Mensvoort: Is the artificial womb frankenstein-like symbol of (male) engineers trying to steal the magical womb from women? Or… is it a feminist project and needed to reach through equality between the sexes? I personally lean towards the latter. To me it feels like progress if a girl can tell a guy to carry the womb for a change.

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